Sabtu, 30 April 2011

[N539.Ebook] PDF Ebook Shamanism and the Eighteenth Century (Princeton Legacy Library), by Gloria Flaherty

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Shamanism and the Eighteenth Century (Princeton Legacy Library), by Gloria Flaherty

Pursuing special experiences that take them to the brink of permanent madness or death, men and women in every age have "returned" to heal and comfort their fellow human beings--and these shamans have fascinated students of society from Herodotus to Mircea Eliade. Gloria Flaherty's book is about the first Western encounters with shamanic peoples and practices. Flaherty makes us see the eighteenth century as an age in which explorers were fascinating all Europe with tales of shamans who accomplished a "self-induced cure for a self-induced fit." Reports from what must have seemed a forbidden world of strange rites and moral licentiousness came from botanists, geographers, missionaries, and other travelers of the period, and these accounts created such a stir that they permeated caf talk, journal articles, and learned debates, giving rise to plays, encyclopedia articles, art, and operas about shamanism. The first part of the book describes in rich detail how information about shamanism entered the intellectual mainstream of the eighteenth century. In the second part Flaherty analyzes the artistic and critical implications of that process. In so doing, she offers remarkable chapters on Diderot, Herder, Goethe, and the cult of the genius of Mozart, as well as a chapter devoted to a new reading of Goethe's Faust that views Faust as the modern shaman.

Originally published in 1992.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

  • Sales Rank: #5779357 in Books
  • Published on: 2014-07-14
  • Released on: 2014-07-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .76" w x 5.75" l, 1.04 pounds
  • Binding: Paperback
  • 338 pages

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Rabu, 27 April 2011

[M855.Ebook] Ebook Download Medicine in Art (A Guide to Imagery), by Giorgio Bordin, Laura Polo D'Ambrosio

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Medicine in Art (A Guide to Imagery), by Giorgio Bordin, Laura Polo D'Ambrosio

This abundantly illustrated volume offers an exploration of the depictions of illness and healing in Western artworks that range from Egyptian wall carvings to medieval manuscripts, and from paintings and sculpture by the great masters of the Renaissance such as Michelangelo and Leonardo da Vinci to twentieth-century artists such as Matisse and Magritte.

Thematic chapters cover the examination of patients and their various maladies including disabilities and mental illnesses; healing and medical treatments; and the sufferings of patients and their hopes for cures and recovery. Psychological anguish—as represented in The Expulsion of Adam and Eve by Masaccio and Munch’s The Scream—is treated along with the physical manifestations of pain.

This volume, the seventeenth in the popular Guide to Imagery series, offers analyses by both an art historian and a practicing physician who comment, respectively, on the cultural context in which specific artworks were created and the level of technical knowledge available at that time, an approach that makes for a fascinating look at a topic that has figured frequently in the Western artistic tradition.

  • Sales Rank: #381052 in Books
  • Brand: Brand: J. Paul Getty Museum
  • Published on: 2010-10-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.75" h x .90" w x 5.25" l, 1.82 pounds
  • Binding: Paperback
  • 384 pages
Features
  • Used Book in Good Condition

Review

“A visual delight. . . . Get hold of a copy of Medicine in Art and look, learn, and enjoy.”—Journal of the American Medical Association

About the Author

Giorgio Bordin is a physician and the director of the Sanitario dell’Ospedale Piccole Figlie in Parma, Italy. Laura Polo D’Ambrosio is an art historian.

Most helpful customer reviews

5 of 5 people found the following review helpful.
An admirable treatment of the subject
By Ralph Blumenau
This book is part of a useful series of, at present, sixteen attractively produced volumes published by the J. Paul Getty Museum, with other titles like "Music in Art", "Gardens in Art" etc. The title of this volume is slightly misleading: a more accurate title would have been "Illness and Medicine in Art", for many illustrations deal with diseases and disabilities without any reference to medical treatment (and a small number seem to me to have no connection with either, e.g. The Fall of Icarus). However, there are plenty of images about treatment, from medieval times to the present, and a good many of them are by artists who are not at all well-known. The text with the images refers to the illness and the treatment, about which we can learn a lot, and also often to the technical means used by an artist to highlight certain parts of the picture. The images are small, but clear, and the colour is excellent. The print is necessarily very small and will be a strain on some eyes.

2 of 2 people found the following review helpful.
A picture is worth a thousand words
By Floradora
This very interesting book uses works of art to illustrate themes in medicine such as disease, suffering and the physician. It is useful for thinking about or teaching humanities and medicine, narrative medicine and the history of medicine. I have used it as a source book for teaching medical students and residents and find that it encourages discussion by offering vivid examples of what can be abstract concepts.

10 of 14 people found the following review helpful.
deceptive title
By ferrogo
Only the best known and studied paintings are thoroughly analyzed. Many repetitive examples of small things. I was dissapointed by not finding more examples of different ilnesses that we know there should be thousands of examples in paintings and sculptures all over the world. the medicine and science are neglected in the explanations.

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Senin, 25 April 2011

[D276.Ebook] Download PDF Essential Elements for Strings - Book 1 with EEi: Cello, by Robert Gillespie, Pamela Tellejohn Hayes, Michael Allen

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Essential Elements for Strings - Book 1 with EEi: Cello, by Robert Gillespie, Pamela Tellejohn Hayes, Michael Allen



Essential Elements for Strings - Book 1 with EEi: Cello, by Robert Gillespie, Pamela Tellejohn Hayes, Michael Allen

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Essential Elements for Strings - Book 1 with EEi: Cello, by Robert Gillespie, Pamela Tellejohn Hayes, Michael Allen

(Essential Elements for Strings with EE Interactive). (Essential Elements for Strings and Essential Elements Interactive are fully compatible with Essential Elements 2000 for Strings) Essential Elements for Strings offers beginning students sound pedagogy and engaging music, all carefully paced to successfully start young players on their musical journey. EE features both familiar songs and specially designed exercises, created and arranged for the classroom in a unison-learning environment, as well as instrument-specific exercises to focus each student on the unique characteristics of their own instrument. EE provides both teachers and students with a wealth of materials to develop total musicianship, even at the beginning stages. Books 1 and 2 also include access to Essential Elements Interactive (EEi) , the ultimate online music education resource - anywhere, anytime, and on any device. Go to essentialelementsinteractive.com to learn more! Method features: * Enhanced Starting System * Optimum Reinforced Learning * Pacing * Theory, History, Cross-Curriculum & Creativity * Performance Spotlights Book also includes My EE Library * (myeelibrary.com) - Instant Stream/Download/CD-ROM* * Start-up video Learn the basics * Play-along mp3 tracks for all exercises Features a professional orchestra * Duets and trios Print and play parts with friends * Music listening library Hear great pieces for orchestra! *Internet access required for My EE Library . Book includes instructions to order free opt. CD-ROM.

  • Sales Rank: #20874 in Books
  • Brand: Hal Leonard
  • Model: 868051
  • Published on: 2002-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .16" w x 9.00" l, .55 pounds
  • Binding: Paperback
  • 48 pages
Features
  • Each Book Includes My EE LibraryPlay-along Tracks for All ExercisesBook 1 Review Section6 opening pages cover all Book 1 elementsGreat refresher to start the 2nd yearEssential Elements Features Continued and ExpandedIncludes Rhythm Raps, Listening Skills, Theory, History, Multicultural Music, Creativity and AssessmentIntroduces and develops sight-readingNew KeysD (lower octave) and A MajorF and B-flat majorG and D MinorNew Rhythms and MetersDotted notesSixteenth-notesSyncopation6/8 meterCut time

Most helpful customer reviews

68 of 70 people found the following review helpful.
The Best Book for Cello Beginners
By Justin the Chef
I'm 27 years old and currently learning to play the cello. I've bought this book along with the Suzuki books/CD and various others. I think this is the best book to start with if you have no prior cello playing experience. With the Suzuki books you're playing more songs, while this book consists of a lot of simple exercises. For example, Suzuki for Cello Book 1 has 17 exercises/etudes, whereas Essential Elements has 193. The exercises in Suzuki are generally a little longer and closer to full songs. Suzuki Book 1 has 23 pages while this book has 48 pages.

The biggest down side to Suzuki is that there's absolutely no instructional information, and while both books assume you're working with a teacher, I think it would be harder to progress with the Suzuki book if you do not have a teacher.

I see this book as more of a prequel to the Suzuki books, but there's obviously some overlap. If you finish this book you'll likely move through the first few Suzuki books pretty quickly.

This book's overall goal seems to be teaching students how to sight read musical notation. Lots of time is spent counting beats and looking at notes and playing them on the cello as you read them. For a book that's focused more on the subtleties of technique I'd check out "The Art of Cello Playing" by Louis Potter Jr., or I'd rely on a teacher for that information.

As mentioned, this book comes with a DVD and CD, and the DVD actually has SOME instructional video, but only about 15 minutes. The rest of the DVD is just the audio of all 193 practice tracks. Also, the audio CD for Suzuki books 1 and 2 is purchased separately and is priced at about $14. This book is about the same price as Suzuki book 1 but comes with the audio CD and DVD, so I think it's also a better value.

This Essential Elements book starts with plucking the individual strings (pizzicato) and ends on the piano accompanied Bach minuet Number 2. Suzuki Book 1 stars on "Twinkle, Twinkle Little Star variations" and ends on the exact same Bach minuet.

What I like about Essential Elements is that it starts you off at the most basic possible level. First, you're just plucking the strings on the cello, learning where the notes correspond to the strings on the cello. There's a few exercises that prepare you for the bow without actually using it yet, but use of the bow isn't until Exercise 47. The idea is to cultivate the left hand first, and after you're comfortable with that it introduces using the right hand along with the left hand. With Suzuki you're using the bow on the first exercise, and more focus is spent on listening to the recordings than reading music. (Suzuki believed people learned languages best by listening.)

The strength of this book is that each short exercise is slightly harder than the last, usually introducing a new technical problem for each exercise. Each exercise is set up as a short and unique melody to keep it more fun. Exercises range from repeated single notes, to scales, to kids melodies (old macdonald, twinkle twinkle, frere jacques, baa baa black sheep), to melodies everyone knows (simple gifts, jingle bells, happy birthday, banana boat song, william tell overture), to various American, English, and French folk melodies.

I have been practicing cello for a while so I completed the first 46 exercises in one day. Then I did about 20 the follow day, and then about four or so a day after that. Each exercise is a little tougher than the last, but not too tough to be out of reach, so you do feel a sense of accomplishment after you finish each one.

I've found the best way to practice ALL of the exercises after #46 is to sight read them as you count beats. Even if it calls for the bow play with pizzicato first. Next do the same thing but now try it with the bow. If you've got that down then try playing along with the accompanying CD/DVD. Did you play it without any mistakes? If so then move to the next exercise, otherwise keep practicing until you get it.

If you can read music you already have a head start on this book, but if you can't I strongly recommend this book over the Suzuki ones--at least initially. Essential Elements has taught me how to read music as I play, where the Suzuki books assume you already know how to read music, or that your instructor will show you. This book's many simple exercises manage to push you along without overwhelming you. There's music that accompanies each exercise and it's there to help you train your ear. With the music it's easier to tell if you're playing in tune or if you're a little off.

I didn't mean for this to be long or a bunch of Suzuki bashing. I think you should buy this book, the Suzuki books, and every cello book you can afford. You should also watch cello tutorials (and professional performances) on YouTube and find a teacher at your local university. The more resources you have to help you learn the more successful you will be! That's true for anything! However, if I could only purchase one book this one would be it. I expect it to keep me busy for a couple months.

This is a great book to start with. After the first day I was impressed enough to purchase book 2 and 3. The only thing that could be improved upon would be more video tutorials on the DVD.

0 of 0 people found the following review helpful.
Essential Elements
By wm1700
Loved the free DVD or download that came with this book. Great price point and useful information for beginner cello player. As mother of 9-year-old cello player I have enjoyed the DVD feature. Now if I could just get the cello player to review it.

0 of 0 people found the following review helpful.
I really like this. I sent for the CD and I ...
By Wilma Huegel
I really like this. I sent for the CD and I don't understand why it doesn't show more than just how to properly hold my cello and bow. I waited for it to show more on the cd but nothing more happens. I really like the book, though.

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Essential Elements for Strings - Book 1 with EEi: Cello, by Robert Gillespie, Pamela Tellejohn Hayes, Michael Allen PDF
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Rabu, 20 April 2011

[V843.Ebook] Get Free Ebook Senna Versus Prost, by Malcolm Folley

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Senna Versus Prost, by Malcolm Folley

In the late eighties and early nineties, Formula One was at its most explosive, with thrilling races, charismatic drivers, nail-biting climaxes - and the most deadly rivalry ever witnessed in sport. Two of Formula One's most honoured champions and iconic figures drove together for McLaren for two seasons, and their acrimonious and hostile relationship extended even after one of them had left the team.

ALAIN PROST, France's only F1 world champion, the intelligent, smooth driver with the epithet 'Le Professeur'.

AYRTON SENNA, the mercurial kid from a privileged background in Sao Paolo who would become the most intense and ruthless racing driver the world has ever seen.

It was a story that would have a tragic ending.

As the great rivals raced to victory, their relationship deteriorated badly, beginning with the breaking of a gentleman's agreement, and public spats followed, culminating in Prost accusing Senna of deliberately trying to ride him off the circuit, and fearful that the Brazilian would get someone killed with his daring overtaking feats. And the final, sad act of this drama happened at the San Marino Grand prix at Imola in May 1994, when Senna was killed.

Featuring a rare interview with Prost, and insight from Martin Brundle, Damon Hill, Sir Frank Williams, Bernie Ecclestone, Derek Warrick, Johnny Herbert, Gerhard Berger, plus McLaren insiders and other F1 figures, Malcolm Folley provides us with a breath-taking account of one of the all-time classic sporting rivalries.

  • Sales Rank: #267025 in eBooks
  • Published on: 2009-05-07
  • Released on: 2009-05-07
  • Format: Kindle eBook

Review
"Excellent."  —Motor Sport

"A superb insight into antagonism between F1 teammates."  —Daily Mirror

About the Author
Malcolm Folley is chief sports reporter for the Mail on Sunday. He is the author of numerous books, including Borg Versus McEnroe.

Most helpful customer reviews

79 of 100 people found the following review helpful.
Generally well written, but nowhere close to impartial
By P. Hannam
The impression it leaves me is that Folley was so delighted and gratified to be given a nice lunch and a fairly in depth interview by Prost in his Paris apartment in 2008 that his efforts to remain impartial thereafter collapsed into a morass of subtle and not so subtle slips that reaffirmed the narrative of Prost as the ultimate gentleman and Senna as the fragile and ruthless newbie who came and stole it all away. As such, the Folley narrative ranges from fair and balanced, to being rantingly anti-Senna. To the extent that Senna's story is told, or his point of view heard in retrospect, it is through the words of the others of the time: Warwick, Brundle, Berger, Walker, Jardine, Leberer et al, who Folley has at least taken the trouble to interview and quote. (Brundle is impressively self-effacing and candid about his standing against Senna...no agenda there. Warwick is also remarkably gracious, as he has been over the years about Senna, who he retains an immense respect for). Meanwhile, Folley's faithful repetition, without the slightest irony, of Prost's claim about Suzuka in '89: "I had no interest to make a crash", is a case in point. This is as disingenuous a statement as we have heard from Alain, up there with his equally laughable claim that he never blocked Senna from the Williams team for 1993 (we all know he did, and Senna called his bluff with his 'I'll drive for free' offer to Williams, to make the point). But the narrative treats it without the slightest scepticism, having described the Suzuka collision simply as "a brash manoeuvre" on Senna's part, which "hopelessly misjudged Prost's mood". Never mind that Prost's block is regarded quite widely in the F1 pitlane as the template professional foul, as premeditated as they come, and that attempting to pass someone going more slowly than you is usually regarded as one of the primary imperatives of motor racing. Instead, Alain's 'mood' is what counts. Needless to say, there are valid criticisms to be made of Senna's career and conduct. What is lost in this book is the notion that Prost had a ruthless and underhand streak, too, and was something other than a serial victim.

A good example of what I mean when I say Folley's narrative varies from level headed to openly ranting against Senna, comes at the conclusion of a passage quoting Senna about the notorious incident at Imola in `89, where Prost accused Senna of reneging on an agreement to not attack each other at the first turn after the race start. Here, Folley quotes Senna:

"On the second start, after Berger's accident, he got off to a better start than me. But I got in his slipstream and accelerated quickly. I was going faster than him. I then started the manoeuvre to overtake him. Not at the first corner, before that. It was when we were braking that we were not to attack each other. We had a momentary confrontation, and then I drove clear. He made a mistake and skidded off the track. He had made a driving mistake, but he was trying to make me take the blame. The original idea was simple: no overtaking as we braked on the first bend. After the race, I had a clear conscience. I didn't think that the whole thing would take on such proportions".

So far, so good. Folley is quoting Senna's point of view, and we have already heard Prost's point of view, at great length over several pages. But here's how Folley goes on, and, to be clear, this is our author talking, not Alain Prost:

Folley: Perhaps that had something to do with the fact that he had not been in the race when Pironi, blatantly, and inexcusably, betrayed the promise he had shared with Villeneuve. Perhaps that had something to do with the fact that Prost had lived with that haunting memory for seven years and knew it would never leave him. What was it Prost said? "Gilles was angry with Pironi and Ferrari, absolutely furious. Later I would fully understand these feelings because I had this with Ayrton. At the next race, Gilles went too far in the car in practice. He killed himself because of that dispute with Didier." Do you really believe that drivers would enter a pact that involved no overtaking before a braking area rather than a more specific location, such as the first corner?

So here we have Folley pouring scorn on Senna's account and using the passive aggressive, if not openly sarcastic "perhaps that had something to do with..." language to frame the narrative in terms of Prost's feelings about it. All that's missing is the jabbing of the author's finger at Senna's chest (Folley even addresses the reader in the first person, as if we're incredibly dumb to have even entertained Senna's side of the story all these years). Not for the first time, we hear that Senna should somehow have been cognisant that his rival's buried feelings over an accident 7 years earlier, before Senna even entered F1, would be triggered, along with the displaced fury that went with them. It's an interesting idea, that F1 drivers should be aware of all the experiences and traumas their rivals have been through, take account of them and act accordingly. This is not to say that there is no argument that Senna did wrong, though I find it tenuous at best to invoke the events of 1982 as the primary determinant of the rights and wrongs of a passing move in 1989, but the whole passage from Folley reads to me like an outburst, more like something you'd read from a partisan poster on an internet forum than something you'd read in book, written by a professional author, billing itself as an impartial account of a rivalry. Senna could be fully in the wrong on this and the point would still stand. This is not balanced writing, it is a framed narrative from someone who either began the exercise as a firm fan of Alain Prost, or became one through his interviews with the man.

The Villeneuve/ Pironi narrative (not only their clash at Imola and Villeneuve's death at Zolder, but also Prost's involvement in Pironi's crash at Hockenheim), which legitimately altered Prost's outlook on risk, runs like a thread through the book. This is interesting, but it's woven through the story in such a way that it's clear Folley thinks it is directly relevant to Senna's own penchant for risk. It would have been better to note the point and move on, rather than keep bringing it up every time Senna is seen to challenge Prost on the circuit. And Pironi's crash always was a feeble excuse for Prost's dire performance at Silverstone in '88, but trotted out here nonetheless.

More pro-Prost sympathies are in evidence when we hear, to take one example, that he had niggling clutch problems at the WDC decider in the wet in Suzuka in '88. A detail worth noting? Well, sure, even if it's the first I've heard of it in the intervening 22 years. But driving around minor mechanical issues was par for the course at the time and where is the mention of, say, Senna's pop-off valve malfunctioning in Mexico earlier the same year, and limiting his boost (a race which the book just blandly notes was won easily by Alain, with, quote: "a flawless drive")? If one is worth a mention, then so is the other, but the race accounts are generally bereft of such detail and it creates a false impression.

The cover was designed by an idiot: a picture of Prost & Mansell? on the front, and Derek Warrick (sic) is mis-spelled on the rear cover. There are factual gaffes: for example stating that Watson never raced an F1 car again after 1983. Actually he raced the McLaren in '85 after Lauda hurt his wrist, and made comments about how he knew his career was over when he witnessed Senna at Dingle Dell on a qualifying lap (Watson was on an in lap at the time) - an episode that might actually have served the narrative had Folley been aware of it.

It is also somewhat repetitive. How many times do I need to be told the list of greats who have won Monaco?

Early in the interview, Prost had noted that he knows he can't compete with the ghost of Senna, the legacy of a dead hero. As such, this is a book that might actually plug a legitimate market gap because I doubt that Prost's point of view, laughably self-serving though it is, has been aired as fully as the Senna plaudits have aired the legend of the brilliant Brazilian. Had the book been called "Prost's point of view: a rivalry with Senna", or some such, I would welcome it, as written. Unfortunately it is billed as a fair account, and the flipside of Prost's dilemma is that Senna is no longer around to defend himself at all. As such, and fascinating as it will always be to hear his reminiscences, it almost seems like a cheap shot from Prost to have been behind this book in such a way. The final responsibility, though, lies with the author.

4 of 4 people found the following review helpful.
Senna Versus prost
By DonG
Well written. Better look at Senna than Prost. Prost comes off as a well grounded technocrat who drives better than others. Senna appears to be a lost soul who, with apologies to fighter pilots everywhere, would rather die than look bad. Author's ample use of extensive quotes caused me to lose track of who was doing the telling. Excellent look into the politics of F1 and those behind the scenes.

3 of 3 people found the following review helpful.
Despite covering one side - this was a great book
By LSmith
Rating:
5 of 5 stars (Outstanding)

Review:
Auto racing in all forms has had many fierce rivalries between drivers over the years, and one of the most bitter rivalries came in the late 1980’s and early 1990’s between Aryton Senna of Brazil and Alain Prost of France in Formula 1 racing. This rivalry is documented in a book by Malcolm Foley in which he captures the rivalry through research and personal stories and recollections by many of the personnel involved with the two drivers as well at Prost himself, the surviving driver of the two rivals as Senna was killed while on the course in the 1994 San Marino Grand Prix.

The writing in this book is very good as the reader will learn much about the workings within the various driving teams in Formula 1. The casual fan may know that a driver is part of the McLaren or Lotus team, for example, but the negotiations, contracts, and interaction between the parties is illustrated in the segments about the two drivers either changing teams or stating that they wish to do so. There are also other great passages about what took place during races between the two rivals, what teammates remembered about the drivers and even some personal moments shared.

Some other reviewers of this book have been vocal in their opinions that this book was heavily biased toward Prost, mainly because the author was allegedly grateful to just be able to speak with the French driver. This review is not going to state any opinions on this matter as being a casual fan of the sport at best, I do not have the extensive knowledge of the history of the sport or the two drivers, so this review is simply one of the book itself. Because I was enjoying these stories and did know of the fierce rivalry, I wanted to simply read the book for pleasure and see if I could learn anything new about the drivers – without looking to see how balanced the stories would be.

The closest I would come to making any statement toward this would be that I believe the book would have been better if any of Senna’s surviving family members would have been willing to share their stories. Most of the stories that were shared to the author were not complimentary to Senna. Getting more stories that portrayed Senna in a positive light might have helped avoid some of this criticism, but the book overall is still one that I enjoyed reading and would recommend for anyone who wants to learn a little more about the sport or the drivers. Personally, I felt it was an outstanding book

Did I skim?
No.

Pace of the book:
Excellent. The story of both drivers moves along well, doesn’t drag when personal stories or recollections are written, and the reader will feel he or she is living the rivalry.

Do I recommend?
Yes, especially for new or casual F1 fans. I say this because while the book does give good insight into both drivers and the history of the sport at that time, long-time or hard-core fans of the sport may feel the book is tilted too much to show sympathy for Prost. While part of this would simply be because Senna is no longer with us in order to share his recollections, reviews and editorials at various book sites and blogs do have some negative reviews stating the author’s bias toward Prost.

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"The History of the Aryan Brotherhood" starts at San Quentin, follows at Folsom Prison, and other California institutions, into the Federal system, to other states, and out on the street. See why the AB is feared everywhere. The Author took passages from his earlier book, "Prison Gangs in America", expanded and updated it to bring you a rare inside view of the AB and its influence on the criminal justice system. It contains 137 historical pictures/documents, many of them never seen before in other works, and includes other Supreme White Power groups active in the U.S. The Author dealt directly with many individuals covered in the book and he was interviewed for the Biography Channel's segment on AB leader Barry Mills entitled "Baron of the Brotherhood". The book has a 12 pt. font so take the 1 star reviews with a grain of salt, but it is available in larger font for those who wish to see it bigger.

  • Sales Rank: #1145241 in Books
  • Published on: 2013-07-23
  • Format: Large Print
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .16" w x 6.00" l, .19 pounds
  • Binding: Paperback
  • 70 pages

About the Author
http://www.criminaljusticesolutionsllc.com/biography.html

Most helpful customer reviews

1 of 1 people found the following review helpful.
The writing isn't great and there isn't much analysis
By Amazon Customer
Very thorough run-down of the group's history as told through legal documents/indictments etc. The writing isn't great and there isn't much analysis, but it has a lot of interesting info and I found it illuminating.

0 of 0 people found the following review helpful.
Book was a good overview of the history of this gang
By Sancho Claus
Book was a good overview of the history of this gang. Having watched some gang documentaries on the AB I was surprised to learn some new things in it. Has lots of pictures and references, I just wished some of them were explained a little more.

1 of 2 people found the following review helpful.
The History of the Aryan Brotherhood
By Seth Ferranti- Gorilla Convict Publications
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  • Sales Rank: #2981295 in Books
  • Published on: 2013-03-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .19" w x 6.00" l, .26 pounds
  • Binding: Paperback
  • 80 pages

About the Author
Andrew AJ Wilstholm (Bcomm in Marketing and HR professional) was born and raised in Mount Uniacke, Nova Scotia. Wilstholm is a serial entrepreneur and enjoys creating businesses and helping other small businesses succeed. Wilstholm has been in the auto glass trade since 1985 where his first job was to deliver flyers and sell the business. Wilstholm owned his first auto glass business in 1996 and eventually sold it for profit and the company with a solid foundation is still thriving today. In 2008 he completed his business degree from Saint Mary’s University. Wilstholm is active on the Nova Scotia Automotive Apprentice Board for developing training materials, educational products and the further development of the automotive glass trade in Atlantic Canada. In his spare time he enjoys spending time with family, the outdoors, like summiting Mount Katahdin or Gros Morne mountain, hunting, fishing and completed his first Ironman in Mont Tremblant, Quebec. Enjoying Life

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FACE TO FACE WITH GOD: Be Empowered , by His Presence, by Hezekiah Fatoki

Face to face with the unlimited God is another way of life in this present life. It is a lifestyle that knows no limits. I will call it a life of no limits! My desire is that I might share with you three scriptural secrets about the face to face encounter with God, and to empower you toward the goal of upward encounter God the Father, Christ the Son, and the Holy Spirit.
It is a great privilege that you are about to discover the truth of God’s presence! In this book you will learn how to be in face to face with unlimited God always, how to rightly use the conditions for the face to face empowerment by God and how to use the providence at your face to face encounter with God to lead a maximized destiny into the kingdom of God.
I desire you to open your heart to the spiritual wisdom which is made plain in this book, and I promise that your life would be greatly set ablaze for a quest to know God the more.

  • Sales Rank: #1219349 in eBooks
  • Published on: 2014-08-04
  • Released on: 2014-08-04
  • Format: Kindle eBook

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Kamis, 07 April 2011

[E118.Ebook] Free PDF The Eastern Shore, by Irma J Taylor

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The Eastern Shore, by Irma J Taylor

Indulge yourself in the richness of southern charm, as debut novelist Irma Taylor tells the story of Emma Lawrence and Rutledge Barnes, who cross paths while on a journey of rediscovering themselves. This heartwarming story, set in one of the South’s most beautiful towns, has all the elements of a true southern classic. Emma Lawrence’s life is full—overwhelming in fact. Recently divorced, middle-aged, and alone, the central focus of her life has become all but her own. Her mother is suffering from Alzheimer’s and her only son's wedding is fast approaching. Stubborn and determined to prove to the world that she doesn't need anyone, she finds herself increasingly longing for more of what she refuses to acknowledge as the missing piece in her life. Rutledge Barnes, a 55-year-old grandfather and retired Air Force officer, has returned to his hometown of Fairhope Alabama to settle in and live his dream of a life in the warm southern climate. A recent widower, he struggles with the challenges of learning to navigate through the storms of his new life alone. Determined to overcome his sadness, he soon finds peace inside the nuances of the quiet little town with its calming seaside, warm breezes, peaceful sunsets, and the camaraderie of childhood friends rediscovered. Join Irma Taylor as she takes you on an unforgettable journey into the lives of these two people who discover the answers to their life’s struggle, through the power of acceptance, release, and new love. A journey into areas they never knew existed.

  • Sales Rank: #1907231 in Books
  • Published on: 2015-06-07
  • Original language: English
  • Dimensions: 9.00" h x .82" w x 6.00" l,
  • Binding: Paperback
  • 362 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
A Charming Delight!
By G. Westfal
The geographical setting for this book is based along the Gulf Coast of Alabama - a near perfect backdrop of southern romance and charm for which this author writes. Taylor does a very good job of painting a narrative that draws images of interpersonal relationships, family, and an inspiring message of hope in the face of life's challenges.

I particularly enjoyed the way I was drawn in by the imagery created by the descriptive writing, most especially when the author brought me nearer and nearer to the shoreline and the sometimes turbulent and unforgiving Gulf. I have long had a love for the coastline of the Gulf of Mexico and all the charm, rich history, and allure that is connected with it.

This is the perfect book to escape into a world where fiction captures the essence of real life without an overuse of melodrama. So, grab a cup of hot coffee or glass of wine - this book is the perfect companion to either - and read this book. You will smile, cry, and hope...right alongside the characters as they take you on a journey you will not soon forget, all from along The Eastern Shore.

0 of 0 people found the following review helpful.
Beach book !
By Amazon Customer
It was a nice easy read . Cozy with a great setting and good plot !

0 of 0 people found the following review helpful.
Five Stars
By Cindy H. LaHue
Great Author.

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Rabu, 06 April 2011

[C355.Ebook] Fee Download Encounters: Two Studies in the Sociology of Interaction, by Erving Goffman

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Encounters: Two Studies in the Sociology of Interaction, by Erving Goffman

  • Sales Rank: #1808529 in Books
  • Published on: 1961-06
  • Number of items: 1
  • Binding: Paperback
  • 152 pages

About the Author
Erving Goffman was Benjamin Franklin Professor of Anthropology and Sociology at the University of Pennsylvania until his death in 1982. He is recognized as one of the world's foremost social theorists and much of his work still remains in print. Among his classic books are The Presentation of Self in Everyday Life, Interaction Ritual, Stigma, Notes on the Management of Spoiled Identity, and Frame Analysis.

McGinnis grew up in Wyoming, Ohio and studied art at Ohio State University and the Central Academy of Commercial Art in Cincinnati. He has done advertising work, book and magazine illustration, gallery art and movie posters.

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Selasa, 05 April 2011

[C452.Ebook] Download Pain : Clinical Manual, by Margo McCaffery MS RN-BC FAAN, Chris Pasero MS RN-BC FAAN

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Pain : Clinical Manual, by Margo McCaffery MS  RN-BC  FAAN, Chris Pasero MS  RN-BC  FAAN

PAIN: CLINICAL MANUAL provides practical tools and guidelines for treating patients' pain in all clinical settings and age groups. This useful resource features ready-to-use, reproducible pain rating scales, guidelines, forms, and patient medication information handouts. Comprehensive pharmacologic chapters discuss the three groups of analgesics, dose titration, drug combinations, routes of administration, and prevention of side effects. Additionally, it includes pain rating scales in over 20 languages and quick guides with illustrations of selected pain problems. PAIN: CLINICAL MANUAL is a valuable resource for anyone who cares for patients with pain.

* Provides ready-to-use forms and recommendations for pain care committees to assist health care facilities to prepare for JCAHO inspections. * Includes two FREE pocket-size, laminated cards: equianalgesic charts to assist clinicians with dose calculations when changing routes of administration or analgesics, and dosing guides to commonly used adjuvants and nonopioids. * Includes FREE access to Mosby's PAIN WEBSITE. * The most clinically useful book ever published on pain, written by authorities who helped establish the pain management movement. * Includes 11 new chapters and five expanded and updated chapters to provide the most accurate, up-to-date, and comprehensive pain management information. * Includes icons to alert the reader to important, need-to-know information, such as pediatric content, patient examples, and reproducible material. * Features over 200 boxes and tables to help quickly locate key information and apply complex concepts at the bedside. * Presents a unique, multidisciplinary perspective. * Provides ready-to-use, practical, proven, and reproducible tools, pain assessment and documentation forms, and guides to analgesic use. * Contains patient information handouts on analgesics and nondrug methods of pain relief to educate the patient/family/caregiver about the patient's specific pain management. * Includes reproducible key policies, procedures, and protocols to assist the clinician in implementing patient focused interdisciplinary pain management. * Presents pharmacology content in four chapters - the three analgesic groups and an overview of how to combine them - to provide a readily understandable reference and practical resource. * Includes quick guides with illustrations of selected pain problems, such as pain related to sickle cell disease, peripheral neuropathy, and fibromyalgia. * Contains pain rating scales in over 20 languages to enhance patient/clinician communication in culturally diverse populations.

  • Sales Rank: #935365 in Books
  • Brand: Brand: Mosby Inc 1999-01-01
  • Published on: 1999-02-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.78" h x 1.24" w x 8.82" l, 3.35 pounds
  • Binding: Spiral-bound
  • 795 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

3 of 3 people found the following review helpful.
Both thumbs up
By Lucie Carter Lopez
Ten years + ago I took a class in Pain management where McCaffrey's first book was the text. It was an incredible learning experience. Imagine, physcians prescribe less pain medication than needed to resolve pain and nurses give about half that amount. Why? Because as a society we are fearful of addiction and we make judgements about people who have difficulty handling pain. We don't realize the true cost of 'toughing' it out. This book is comprehensive and readable. Ms. McCaffrey et al make their case for intelligent pain control rather than knee jerk reactions. By far a blue ribbon winner in this category.

23 of 24 people found the following review helpful.
Great book for clinical pain assessment and management!
By Devin J. Starlanyl
"PAIN: Clinical Manual" 2nd edition, is a book that should be thoroughly read (and used) by health care providers who deal with pain patients. This book addresses many myths and misconceptions surrounding pain, and explains the mechanisms of pain. It supplies pain management techniques, both medicinal and non-medicinal. The text and charts are comprehensive and clear. I appreciate the permissions for use of the charts, and will be using them for pain assessment in clincial studies. Education in pain assessment and management is generally lacking in medical education. This book supplies much of that needed knowledge. My thanks to the authors.

9 of 10 people found the following review helpful.
Pain: Clinical manual
By Mitch009988
Absolutely the most complete and best resource for pain management. A must for any clinician interested in pain management. McCaffery is a recognized and respected nursing expert in pain management and shares her knowledge and expertise in this manual with concise information and many reproducible materials that can be used in clinical practice. As a nurse educator and hospice nurse, this manual is my bible for teaching about pain management and managing pain in my patients.

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