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The OfficeUS Atlas collects the exhibition research in an archive of nearly 1000 architectural projects. Organized according to individual firm histories, the Atlas documents the development of U.S. architectural offices working abroad from 1914 to the present. Offices and their projects are illustrated by over 1200 photographs and architectural drawings. OfficeUS, the U.S. Pavilion for the 2014 International Architecture Exhibition - la Biennale di Venezia, reframes the history of U.S. architecture through the lens of export in two interrelated constructs: "The Office" and "The Repository". The Repository presents 1000 projects designed by 200 US offices working abroad in a chronological archive of the last 100 years. Collectively these projects tell multiple, imbricated stories of U.S. firms, typologies, and technologies, as well as a broader narrative of modernization and its global reach. The Office engages these projects, revisiting their premises and conclusions over the course of the Biennale. It functions as a laboratory staffed by a diverse group of resident design partners collaborating with outpost offices and a rotating cast of visiting experts. Together, these two halves of OfficeUS create both an historical record of the U.S. contribution to global architectural thought, and a petri dish in which that record is submitted to contemporary agents of disruption and critique.
- Sales Rank: #248895 in Books
- Published on: 2015-04-14
- Released on: 2015-04-14
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 2.30" w x 6.40" l, .0 pounds
- Binding: Hardcover
- 1250 pages
About the Author
Schafer is co-founder and co-editor of the architectural journal PRAXIS. Schafer maintains an architectural practice in Cambridge and New Orleans. She currently teaches design studio at the Harvard University Graduate School of Design.
Michael Kubo is Teaching Associate in Architecture at Harvard University Graduate School of Design and the US Director of ACTAR. He graduated with an M.Arch from the Harvard Graduate School of Design, and with a B.A. in Architecture from the University of Massachusetts-Amherst. With ACTAR, he is the editor of Desert America: Territory of Paradox (2006), Verb Conditioning (2005), Seattle Public Library (2005), Verb Connection and Verb Matters (2004), Phylogenesis: FOA's Ark (2003), and The Yokohama Project (2002). He previously collaborated with Rem Koolhaas and OMA / AMO as Associate Editor for the Harvard Guide to Shopping (2001), Great Leap Forward (2001), and Mutations (2000).
Most helpful customer reviews
4 of 4 people found the following review helpful.
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By Robin
A remarkably comprehensive look at American's contribution to world architecture. The 1232 pages, divided into twenty chapters, use articles from the leading architectural magazines to explore 169 companies (who each get a profile spread) and 675 examples of their overseas work. Though the book starts its historical look from 1900 it isn't until the Thirties that a large number of European architects (including Neutra, Pie, van der Rohe, Gropius, Breuer, Gruen, Sert) emigrated to the US to join existing or start their own companies, they all helped create the powerhouse of the American architectural office.
The years after 1945 provided a huge increase of overseas work with, for example, American oil companies and hotels chains expanding around the world. The Cold War and politics also provided plenty of creative stimulus. US embassies and staff accommodation required contemporary structures in dozens of countries. At the end of each chapter there are spreads with thumbnails of overseas buildings plus details of the architectural office who designed them. All the embassies have a logo saying: United States of America Embassy, they keep appearing right up to 2010.
The Gulf States were another lucrative area. Pages 752--753 has a graphic with a map and timeline detailing seventy-four projects from 1948 to 1986. Riyadh, Kuwait City and Jubail are dotted with American designed structures. From the mid-nineties Asia and especially China, provided plenty of work not only the usual standout office buildings but museums, universities and schools, airports, stadiums, shopping plazas (the Jerde Partnership designed six) and the usual embassies and consulates.
I thought the book packs in a huge amount of detail, especially the essays, on a spread at the start of each chapter, the book's four editors clearly know their subject. There is though one annoyance I found with the book, frequently the spreads from the architectural magazines have the columns either side of their middle unreadable because of the thickness of this book. The title was designed by the international design company Pentagram and they really should have known better. The easy solution would be to slightly separate the reproduced magazine spreads so that they don't go into the books spine.
'Office-US Atlas' is a huge compendium of American architectural creativity.
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