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Wonder of Wonders: A Cultural History of Fiddler on the Roof, by Alisa Solomon
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A sparkling and eye-opening history of the Broadway musical that changed the world
In the half-century since its premiere, Fiddler on the Roof has had an astonishing global impact. Beloved by audiences the world over, performed from rural high schools to grand state theaters, Fiddler is a supremely potent cultural landmark.
In a history as captivating as its subject, award-winning drama critic Alisa Solomon traces how and why the story of Tevye the milkman, the creation of the great Yiddish writer Sholem-Aleichem, was reborn as blockbuster entertainment and a cultural touchstone, not only for Jews and not only in America. It is a story of the theater, following Tevye from his humble appearance on the New York Yiddish stage, through his adoption by leftist dramatists as a symbol of oppression, to his Broadway debut in one of the last big book musicals, and his ultimate destination―a major Hollywood picture.
Solomon reveals how the show spoke to the deepest conflicts and desires of its time: the fraying of tradition, generational tension, the loss of roots. Audiences everywhere found in Fiddler immediate resonance and a usable past, whether in Warsaw, where it unlocked the taboo subject of Jewish history, or in Tokyo, where the producer asked how Americans could understand a story that is "so Japanese."
Rich, entertaining, and original, Wonder of Wonders reveals the surprising and enduring legacy of a show about tradition that itself became a tradition.
Wonder of wonders, miracle of miracles.
- Sales Rank: #717534 in Books
- Published on: 2013-10-22
- Released on: 2013-10-22
- Original language: English
- Number of items: 1
- Dimensions: 9.34" h x 1.51" w x 6.65" l, 1.41 pounds
- Binding: Hardcover
- 448 pages
Review
“As rich and dense as a chocolate babka-so crammed with tasty layers that you have to pace yourself... As brilliant a piece of reporting as I've read this year.” ―The New York Times Book Review
“Exuberant.” ―The Wall Street Journal
“An illuminating and detailed history.” ―The Jewish Daily Forward
“Glorious... A thrilling, must-read book... In more than thirty years of reading, writing and thinking about theater as an actor, critic and fan, I've never read a book on the subject that taught or moved me as much – reflecting Solomon's ability to weave gobs of meticulous research into a compelling, beautifully written story.” ―Milwaukee Journal Sentinel
“The aptly-titled Wonder of Wonders is the richest, deepest, most far-ranging, continuously and delightfully surprising book about a single work of theatrical art I've ever encountered. An intellectually serious, playful, and insightful account of popular art's power to shape memory and transmute history into universal myth, it is a soul-stirring joy to read, and only Alisa Solomon could have written it.” ―Tony Kushner, author of Angels in America
“I expected that this book would revive many treasured memories, which it certainly did. What I didn't expect to find was the fascinating history of Sholem-Aleichem's Tevye's Daughters or the riveting and unexpectedly moving account of Fiddler's fortunes after the end of the musical's Broadway run. I have always been proud of Fiddler, but never more so than after reading this astonishing book.” ―Sheldon Harnick, lyricist, Fiddler on the Roof
“Alisa Solomon was put on earth to write this exceptional and essential book. A world-class theater critic, a learned Yiddishist, a trenchant journalist, and just a plain wonderful writer, she has brought all her skills to bear in tracing the history of the Tevye stories that became Fiddler on the Roof. The Broadway musical, in her hands, becomes a Rosetta Stone for understanding the Jewish journey” ―Samuel G. Freedman, author of Jew vs. Jew: The Struggle for the Soul of American Jewry
“Wonder of Wonders is a wonder! Alisa Solomon explains in vivid detail how and why Fiddler on the Roof became iconic as both authentically Jewish and universally relevant. A fantastic storyteller, an astute cultural interpreter, and a superb critic, Solomon offers an elegantly crafted, moving, thoughtful, and entertaining account of Fiddler's journeys across time and place. This is the story of Fiddler for the ages.” ―Stacy Wolf, author of Changed for Good: A Feminist History of the Broadway Musical
“If you think you have seen Fiddler on the Roof, think again. The wonder of it all is the magic that transformed stories by Sholem-Aleichem into a near universal icon of enduring power. How that happened, the multifarious forms and meanings of Fiddler on the Roof, is the subject of Alisa Solomon's meticulously researched and beautifully written book.” ―Barbara Kirshenblatt-Gimblett, author of Destination Culture: Tourism, Museums, and Heritage
“Wonder of Wonders combines probing theater history with incisive cultural studies and a compelling narrative. From Sholem-Aleichem's Tevye stories to the triumphant Broadway musical, from politically charged productions in Brooklyn, Tel Aviv, and Kraków to the sanctification of Fiddler numbers in Jewish ritual, Alisa Solomon traces the transformation of Fiddler into a cultural phenomenon that has powerfully spoken for American Jews as well as so many others around the world.” ―Jeffrey Shandler, author of Shtetl: A Vernacular Intellectual History
About the Author
Alisa Solomon teaches at Columbia University's Graduate School of Journalism, where she directs the Arts & Culture concentration in the MA program. A theater critic and general reporter for The Village Voice from 1983 to 2004, she has also contributed to The New York Times, The Nation, Tablet, The Forward, and other publications. Her first book, Re-Dressing the Canon: Essays on Theater and Gender, won the George Jean Nathan Award for Dramatic Criticism. She lives in New York City.
Most helpful customer reviews
17 of 20 people found the following review helpful.
A detailed examination of the history and impact of an icon
By Andrew W. Johns
The story of Tevye and Anatevka has taken on a cultural life of its own, as has the music from the "Fiddler on the Roof". The worldwide impact is all the more impressive when we look at the story's origins in a series of Yiddish short stories written by Sholem-Aleichem in the decades that bridge the 19th and 20th centuries. The path from these beginnings to Broadway and Hollywood success was neither straightforward nor easy, and it was not clear that these stories would find wide acceptance. That the story has been so wildly successful is a tribute to the efforts of the many people who worked so hard to interpret and transform the stories, while preserving something essential that seems to speak to widely diverse audiences.
This book is a detailed examination of the history of that transformation, from the original short stories, through various efforts to adapt them to the stage, to the ultimate Broadway and Hollywood triumphs that mark the "Fiddler on the Roof". Along the way, it touches on issues as widely divergent as the immigration and assimilation struggles of Eastern European Jews in the US in the first half of the 20th century, the history of American theater in the middle of the century, and the cultural impact that the musical has had since it opened on Broadway in the mid-1960s.
At times, the level of detail swamps the narrative, but it attests to the depth of the author's research into the history and impact of this work. There are parts of this book that are likely to appeal to a wide range of readers, from those who want to understand the effort it takes to construct a Broadway musical, to those who want to better understand the cultural and political concerns of Jewish immigrants a century ago. Personally, I found the discussion of the impact of the musical to be interesting, especially the role it has taken on in helping Poland address its history in the wake of the Holocaust and the Soviet era.
So the book itself is a mixed bag, and different readers will probably struggle with different parts of it. But there is a lot of information her for a reader willing make the effort.
7 of 7 people found the following review helpful.
Entertaining, enjoyable and.........wonderful.
By crabsimon
WONDER OF WONDERS, A CULTURAL HISTORY OF FIDDLER ON THE ROOF by Alisa Solomon is, in a single word,'WONDERFUL!' This author has done an exceptional job of providing an energetic tone to a narrative that is enjoyable and fun to read. Included in the engaging history of how FIDDLER came to be are true behind-the-scene stories about very colorful showbiz personalities and other characters that the reader comes to know and (usually) love. Often hilarious,sometimes intense and always entertaining, these true tales are just one way that the author captivates her audience. WONDER OF WONDERS is both powerful and entertaining, just like FIDDLER ON THE ROOF- it is a must have/must read for all FIDDLER fans.
4 of 4 people found the following review helpful.
A brilliant, meticulously researched scholarly book
By DKSforWriting
I first fell in love with FIDDLER ON THE ROOF when I saw it performed on stage. I was twelve years old. My family played the record (LP) so many times, there were grooves within the grooves. In 1971, I again fell in love with FIDDLER when the movie, staring Israeli actor, Chaim Topol,was released. And now I have fallen in love with FIDDLER all over again thanks to Alisa Solomon's scholarly book, WONDER OF WONDERS, A CULTURAL HISTORY OF FIDDLER ON THE ROOF. Solomon is a brilliant writer who, through meticulous research (all notated) details a complete history and evolution of a phenomenon that, even today, 50 years after first appearing on Broadway, continues to 'speak' to a global audience, crossing many different cultures and faith backgrounds. Solomon's ability to recognize, impeccably research and cohesively and flawlessly describe precisely how FIDDLER became such a beloved global gem, is, in itself, a phenomenon. Solomon provides an encyclopedic knowledge of her subject, and in so doing, offers an erudite compilation that includes rare pictures and wonderful anecdotes taken from interviews (also meticulously documented) with surviving FIDDLER participants and their children. Anyone that loves FIDDLER will love-and learn--from this book.
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