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INDIEFAB Book of the Year Awards -- 2014 Finalist
A monumental new monograph accompanying the first major retrospective in fifty years of the work of William Glackens, an important American realist painter. This richly illustrated volume provides a comprehensive introduction to William Glackens (1870-1938), one of the liveliest and most influential American painters of the early twentieth century. A founder of the Ashcan School, along with painters such as Robert Henri and John Sloan, Glackens was crucial to the introduction of modern art in the United States through his collaboration with Albert C. Barnes and his championing of landmark exhibitions of American and European avant-garde art. The finest examples of his works over a fifty-year career, including paintings previously unknown to the general public, are reproduced here-from intimate nudes, portraits, and figure studies to vivid still lifes, vibrant street scenes, and landscapes, in which he captured people and their surroundings with matchless spontaneity and spirit. The book features essays by important scholars examining the artist's relationship with French painting, his social observation and interest in costume, his depiction of women, and his role as a tastemaker.
- Sales Rank: #111568 in Books
- Published on: 2014-02-18
- Released on: 2014-02-18
- Original language: English
- Number of items: 1
- Dimensions: 13.30" h x 1.22" w x 9.95" l, 5.03 pounds
- Binding: Hardcover
- 288 pages
About the Author
Avis Berman is an independent writer and art historian. Elizabeth Thompson Colleary is an independent scholar. Heather Campbell Coyle is the curator of American art at the Delaware Art Museum. Judith F. Dolkart is the deputy director of art and archival collections and Gund Family Chief Curator at the Barnes Foundation. Alicia G. Longwell is the Lewis B. and Dorothy Cullman Chief Curator, Art and Education, Parrish Art Museum. Martha Lucy teaches in the art and art history department at Drexel University and was formerly associate curator at the Barnes Foundation. Patricia Mears is deputy director of the Museum at FIT, New York. Carol Troyen is an independent scholar and the Kristin and Roger Servison Curator Emerita of American Paintings at the MFA, Boston
Most helpful customer reviews
12 of 12 people found the following review helpful.
A New Look at Glackens
By Kenneth Hughes
This is the catalogue accompanying the exhibition at the Museum of Art in Fort Lauderdale, Florida (February to June 2014); the Parrish Art Museum in Water Mill, New York (July to October 2014); and the Barnes Foundation in Philadelphia, Pennsylvania (November 2014 to February 2015). William Glackens (1870-1938) is a prominent figure in American art, well represented in our major museums and familiar from many exhibitions, most recently perhaps from the centennial reprise of the great Armory Show of 1913 mounted by the New-York Historical Society (see my review on this website). As chairman of the committee charged with selecting American entries for that groundbreaking show, and as the major art advisor to Albert Barnes and an authorized purchaser of paintings for his vast collection, Glackens exerted an influence on the development of American art far beyond the example of his own artistic practice. The current show is therefore all the more welcome for being the first comprehensive exhibition of his work in almost fifty years, and its excellent catalogue is among the few lengthy considerations of his oeuvre as a whole. The volume is edited by the art historian Avis Berman and presents essays by nine prominent scholars and curators who consider Glackens's art from a number of perspectives that include both his historical and social situation and the aesthetic innovations of his style. These essays are all authoritative, informative, and very well documented; among the topics addressed are his earlier work (to about 1913) in newspaper, magazine and book illustration; the lightening of his palette as he moves from Manet to Monet as models; his images of the new urban woman and her occupations; his painting of fashion as an indicator of social status and sexual customs; relations with other artists like Robert Henri, Maurice Prendergast, Alfred Maurer, The Eight, etc.; still lifes and flower paintings; and, especially, his reception and transformation of French art, which for him was the basis of all American art. What emerges from these discussions is the picture of an American artist completely aware of and consciously cultivating his roots in the art of Manet and the Impressionists through to the Fauves and the Nabis, whose originality consists in the idiosyncratic manner of his avowed borrowings from the likes of Renoir, Cézanne, Matisse, Derain and others, and whose individual artistic evolution reflects the historical trajectory of French painting in the latter third of the nineteenth century.
The volume is beautifully illustrated, with 103 plates in excellent color, most of them full-page, and about ninety companion illustrations, mostly three or four to a page. There are also a few double-page reproductions and a generous number of blow-up detail studies as chapter frontispieces. It is a good, comprehensive collection representing all phases and genres of Glackens's work. The apparatus consists of an exhibition history of the artist from 1892 to 2012, which seems to be exhaustive and should be very welcome to scholars; a three-page chronology of the artist's life; an exhibition checklist with pertinent curatorial data; a selected bibliography; and a comprehensive index. The volume itself is very handsomely designed with easily legible print and an uncluttered page layout and, at 13-1/2" x 10", a bit larger than the average exhibition catalogue. An excellent new look at a familiar American artist, and highly recommended.
2 of 2 people found the following review helpful.
Glackens' work well-delivered and worth having in my art book library
By JRV
Wonderfully printed, great compilation of Glackens' work. The price was better than what it sold for at the Barnes Foundation, which was a pleasant surprise. I received it quickly and well-packaged.
2 of 3 people found the following review helpful.
I love his works
By Sheila K.
Recently visited the Barnes Museum in Philadelphia. William Gackens' works were displayed there. I love his works. You will too.
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